Eclaire Fare

Enjoying Pop Culture, One Bite at a Time

Fall 2009 Television: What I’ll Be Watching September 6, 2009

Now that I’ve completed my preview of the networks’ new shows, it’s time to reveal my weekly viewing schedule. I have a feeling this list is going to overwhelm me. In the following rundown, all times listed are central, and I’ve also given the season premiere dates.

  • Sunday – Actually, I won’t be watching anything on Sundays. It will be nice to have one tv-free night. I watched the first seasons of Desperate Housewives and Brothers and Sisters, as well as one season of The Amazing Race, but I’ve long since stopped watching all of them.
  • Monday – I am starting off very reasonably. No shows on Sunday, and since I gave up on Heroes early last season, only one show on Mondays. (I enjoy House, but since it is “my husband’s show,” I only watch it when I’m passing through the room or folding laundry. I prefer Dr. House in small doses.)
    • How I Met Your Mother (7-7:30 on CBS, beginning Sept. 21) – I enjoy this CBS comedy, especially Barney’s character, but it’s not necessarily “Must See TV” for me. I typically watch some first run episodes, and catch most of the rest in reruns. (I have yet to see last season’s finale.) One question before I move on to Tuesday – why is One Tree Hill still on? Shouldn’t it have ended like three years ago?! Who watches it?

  • Tuesday
    • So You Think You Can Dance (7-9 on Fox, beginning Sept. 15) – We meet again so soon! It seems like we just crowned Jeanine the winner of season five, and it’s already time to welcome in a new class of hopeful dancers. I wasn’t very excited about it until I watched last week’s “Top 15 Routines” episode, which showed the best dances from all five seasons. I’ll continue blogging about the performances and results show, but it may be toned down from my rigorous summer schedule, since I’ll have quite a bit more tv shows to keep up with.
    • V (7 p.m. starting November 3 on ABC) –When I first heard about this remake of the ’80s movie/miniseries/series, I laughed. But after watching a preview, it actually looks pretty good. I look forward to it.

  • Wednesday
    • So You Think You Can Dance Results Show (7-8 p.m. on Fox, beginning Sept. 9)
    • Glee (8-9 p.m. on Fox, beginning Sept. 9) – I watched the pilot again this weekend. What a fun show! It’s a nice break from the more intense one hour shows that I watch.
    • New shows on Wednesday that I may watch, if they hold my interest
      • Modern Family (8-8:30 p.m. on ABC, beginning Sept. 23) – This will probably be a “catch in reruns” show for me.
      • Eastwick (9-10 p.m. on ABC, beginning Sept. 23) – This show will have to be really impressive to earn a permanent spot in my weekly lineup.

  • Thursday – This is where things get ugly, or at least technologically challenged. (I may have to put both my Tivos to work.)
    • The Office (8-8:30 p.m. on NBC, beginning Sept. 17) – Even though this comedy is still funny, it has nothing on 30 Rock. If I had to choose, it would be “goodbye, Michael” and “hello, Liz Lemon.”
    • Community (8:30 p.m. on NBC, begining Sept. 17, until 30 Rock premieres, at which time it will move to 7 p.m.) – I am especially looking forward to this show since I teach at a community college.
    • 30 Rock (8:30-9 p.m. on NBC, beginning Oct. 15) – How hilarious was the season finale with the celebrity song about donating a kidney? If Tina Fey and the gang can keep it up, they have more Emmys in their future.
    • Fringe (8-9 p.m. on Fox, beginning Sept. 17) – Oh, how I’ve missed Walter, Peter, and Olivia this summer. Can’t wait to welcome more creepiness into my living room!
    • New shows on Thursday that I’ll be watching until they lose my interest or I run out of time:
      • FlashForward (7-8 p.m. on ABC, beginning Sept. 24) – A show with an intriguing premise and an impressive cast
      • Vampire Diaries (7-8 p.m. on CW, beginning Sept. 10) – Vampires and teenagers: will that be an interesting or bad combination?
    • Shows that I’ve been watching that will likely be dropped because of the ridiculous number of good shows on this night:
      • CSI (8 p.m. on CBS, beginning Sept. 24) – I watched most of last season, and enjoyed the addition of Lawrence Fishburne to the cast. However, there are simply too many shows in this prime hour of primetime. As in seasons past, it will be pushed aside and saved for rerun season or syndication.
      • The Mentalist (9 p.m. on CBS, beginning Sept. 24) – I was rather entertained by this show last season, catching most but not all of the episodes. Since it is the only show airing at 9 p.m. that I’m interested in, I will watch it occasionally.

  • Friday – Now that we’re done with Thursday, let’s move to the more manageable Friday
    • Dollhouse (8-9 p.m. on Fox, beginning Sept. 25) – I’ve been catching up with season one on DVD, so now I’m ready to watch season two as each episode airs on Fox. Hopefully this one will make it through the end of its second season, but if not I’ll just enjoy it while it lasts.

Breaking it Down

  • Returning show I’m most looking forward to: Fringe
  • New show I’m most looking forward to: Glee
  • Number of shows I will definitely watch: 6 (This includes Glee, the only new show that is a shoo-in to join my regular lineup.)
  • Number of additional shows I may watch: 9
    • 3 of these are shows that I only watch sporadically
    • 6 of these shows are new, out of which there are only two that I’m pretty sure I’ll want to keep watching (V and Community)
  • Number of shows that I’ll watch when they return at mid-season: 2 (24 and Lost)
  • Number of shows that I can realistically handle: 10 (With the approach of mid-season shows, this means that I’ll have to cut some others from the starting rotation.)
  • How many shows from each network I’ll be watching this fall
    • FOX: 4 definitely’s
    • NBC: 2 definitely’s, 1 maybe
    • ABC: 4 maybes
    • CBS: 3 maybes
    • CW: 1 maybe

Based on these figures, it seems clear that Fox is my network of choice. And to think, I don’t even watch American Idol, if I can avoid it! NBC is the network that makes me laugh, ABC is the network whose new shows most intrigue me, CBS is the network that has trouble holding my interest, and the CW is the network barely hanging by a thread. Which shows (and how many) are you planning to watch this fall?

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TV Season Midterm Review December 4, 2008

It’s that time of year again. And I’m not talking about presents, cookies, and Salvation Army bell ringers. I’m referring to the absence of new tv to watch. About the time many of us put up a Christmas tree and hang some garland, the world of television takes a winter break. As a college professor, I am used to giving my students a midterm assessment of how they are doing in my class, so I’d like to take this opportunity to evaluate my tv shows as they reach the mid-season mark. I’ve done my best to list these shows in order from most disappointing to most satisfying:

  • Heroes – What a disappointment Heroes was this season, and I’m not alone in feeling this way, based on other people’s comments. I had been a cautious viewer since last season, but I decided to jump ship around the time that they killed off Adam, Mohinder was climbing up walls like Spider Man, and everyone else was speaking in cryptic language when they weren’t jumping back and forth between the present and future. I haven’t missed it one tiny bit since I stopped watching. Grade: D
  • CSI – I spent the last six months watching every episode of CSI in syndication, including those from the last three seasons that I had never seen (I quit watching when other shows I watched started airing at the same time). So I was excited that I would be watching this season’s episodes in first run. But now the luster of this smoothly produced show has worn off. Maybe I miss Warrick, who was one of my favorite characters, or maybe the gloominess that his death left in the lab is too much of a downer. Whatever it is, the episodes are piling up on my DVR, and I’m in no hurry to watch them. I’ve deleted a couple without even watching them. Maybe after so many seasons, this show has simply run out of new ideas. They are really grasping at straws some weeks. For example, what was the deal with the hypno-therapist that supposedly killed one of her patients? That story didn’t even make sense, and there was no resolution. I wonder if Lawrence Fishburne will have a positive or negative effect on this waning show. We’ll find out in a couple of weeks. Grade: C
  • My Own Worst Enemy – I’m not so much disappointed in the show as I am in NBC’s decision to cancel it. There was a time, a few weeks ago, when I would have called this my favorite show of the moment. That’s about the time I heard about its cancellation, and just like that I lost interest. This show had a fascinating premise, which kept it afloat even when the execution wasn’t the best. I guess Christian Slater will have to go back to making movies, but please no more video game adaptations or campy B movies! Grade: B-
  • How I Met Your Mother – This “best comedy on CBS” has vastly improved this season compared to last. I hated seeing Ted as a Barney wannabe last year, so it was nice to see him in a somewhat stable relationship with Stella the first part of this season. Marshall and Lily’s subplots haven’t been very interesting, though. The best thing about this season has been Barney’s newfound love for Robin. I like Robin so much better when she’s not with Ted, and it has been nice to see a softer side of the normally self-centered Barney. However, this show has never been appointment television for me. These days I watch it over dinner, while feeding my 9 month old sweet potatoes and rice cereal, so it hardly has my undivided attention. Grade: B-
  • The Mentalist – I’m never too excited about this CBS procedural, but Simon Baker keeps drawing me back week after week. The show always features a “where have you seen them before” guest star. A couple of weeks ago it was Terri Bauer from 24 as a psychic, and Chrissy from Growing Pains as the suspect daughter of a murdered woman. There are two things that make this show stand out from its CBS procedural brethren: Patrick Jane’s powers of observation, and the mostly light-hearted tone. I can only handle so much doom and gloom, so I find this show refreshing. Grade: B
  • Bones – I feel slightly better about this show than The Mentalist. It isn’t as predictable, the characters are more developed, and it actually makes me laugh in addition to being light-hearted. I haven’t been crazy about the decision to break up Angela and Hodgins, nor the revelation that Angela is bisexual and is now in a relationship with her college flame. The writers really wanted to keep her and Hodgins apart, I guess! This whole story has been very forced and unbelievable. But, there are many positives to make up for this. Brennan and Booth’s interaction continues to be a good balance of flirting and friendship, Sweets has been a great addition to the team, and Dr. Saroyan doesn’t even annoy me anymore. Grade: B+
  • The Office – This season The Office has had its ups and downs. Some episodes fall flat (the one where Michael and Holly broke up was hard to watch), while others are hilarious (the one where Oscar and Andy hang out together in Canada comes to mind). I’ve mostly enjoyed the sweet moments, like when Jim showed Pam the house he bought for her, or when Phyllis’ hug was the most popular auction item when they were raising money to replace stolen office items. The continuing saga of Dwight, Angela, and Andy is also amusing. The show doesn’t have me laughing constantly every week, but it never fails to put a smile on my face. Grade: A-
  • Life on Mars – I am loving this show so much, that I was angry when I found out there would be no new episodes until the end of January. They left it on quite a cliffhanger, with Sam listening to a creepy voice on a telephone in an abandoned house telling him to go down to the basement. And as if that weren’t enough, he found this house by deciphering codes at the bottom corner of all the files of cases he’s been working on since waking up in 1973. I like a little sci-fi in my tv, so I am more than willing to go along for this bizarre ride through time. This show’s best feature is, no surprise, its 1970s cultural touches. The clothes, the hair, the music, the cars, the references to movies and tv shows of that era. Also entertaining are the modern day cultural references that Sam makes without thinking, such as “high fives” or his impromptu performance of “Ice Ice Baby.” Sam Tyler is a very likable character. He’s cute, he’s determined to figure out what’s going on in his life and the cases he’s working, and he sometimes has a childlike wonder for the things he experiences in 1973, since he was only 5 the first time around in that year. This show seems like the type that needs to be wrapped up in two or three seasons, but I hope it can survive long enough to provide resolution. I’ll miss seeing it for the next several weeks. Grade: A
  • Fringe – This is my favorite new show of the season. I have been very impressed by every aspect of it: the casting, the acting, the writing, the character development, the strange plots, the special effects, etc. Kudos to Fox for developing this and a handful of other top notch one-hour shows. No one can say they put all their eggs in the American Idol basket anymore. My one concern at the beginning of the season was about whether or not Anna Torv would be convincing in the role of Agent Olivia Dunham, and whether her character would be likable. Well, Torv has done an excellent job, and the writers have given her rich material to work with. I now care about Dunham, as she deals with her disturbing visions of John Scott, and feel sorry for her, as she can’t find time for a personal life due to her demanding job investigating The Pattern. My favorite aspect of the show remains the interaction between borderline crazy Dr. Walter Bishop and his intelligent but troubled son Peter. This show’s premise goes a long way in making it entertaining to watch, but without its distinct characters and the ways they are being developed, I wouldn’t be so excited about watching it every week. This is the one show that I always watch the night that it airs. Grade: A+
  • 30 Rock – While How I Met Your Mother only makes me chuckle occasionally, and The Office keeps me smiling, 30 Rock has me laughing out loud constantly. I love its quirky characters, its ridiculous storylines, and all the little details that hold it all together (the music, the props, the fast-paced camera work, etc.). My favorite episode this season has been the one with the Night Court reunion. How random and fantastic was that? Not only did we see Harry, Christine, and Mac back together again, hear the familiar Night Court music, and end the episode with the freeze frame editing, but this episode brought us Jenna’s Were-Lawyer, Kenneth’s frozen fist pump, and Jack’s colleague Mi Au (pronounced Meow). It’s satisfying the Jennifer Aniston’s guest starring role wasn’t the only reason to watch. But I thought she did a great job as Crazy Claire. The guest stars are never gimmicky on 30 Rock. The writers always give them something funny to work with. Just one more reason that I love this show. Grade: A+

Now that most of these shows are going into holiday hibernation, it’s time for me to dust off my Netflix queue and catch up with my reading. It won’t be long until we welcome back 24, Lost, Battlestar Galactica, and Friday Night Lights. I may let go of a few more shows to make room for those favorites.

What shows have impressed or disappointed you this season?

 

Thoughts on Last Week’s TV November 3, 2008

Filed under: Television — Emily @ 5:11 pm
Tags: , , , ,

I am falling behind in my tv viewing, and I have a few excuses: I’ve been entertaining family, I was out of town for the weekend, and I am adjusting to my baby’s newfound ability to crawl. All that being said, I have only watched a handful of shows from last week. Still on the list: The Office, Life on Mars, and My Own Worst Enemy. Here are my thoughts on what I did watch.

  • Heroes – The decision has been made, and this episode is what confirmed it. As of tonight, I will no longer be watching this show. First they killed off my favorite character (well, I should say my favorite actor on the show, David Anders). Then last week things got unnecessarily complicated and campy again. The glimmer of hope from a couple of weeks ago was short lived. Perhaps I will miss some bright spots for the rest of the season, but I will be content to hear about them from other people, rather than spending 45 minutes a week waiting for them to happen. The acting in last week’s episode seemed particularly exaggerated (most notably Milo Ventimiglia, Hayden Panettiere, and Dania Ramirez. I guess I’m just tired of laughing at things that aren’t intended to be funny.
  • How I Met Your Mother – This episode about Robin’s old flame coming to visit was a rerun, but I hadn’t seen it before. It was great to see James Van der Beek (good old Dawson) playing a loser Canadian rocker wannabe, and Robin’s embarrassing music video “Sandcastles in the Sand” instantly became a classic moment on the show, joining her previous video, “Let’s Go to the Mall.” Was that really Alan Thicke making a cameo in the video? Greatness.
  • The Mentalist – This episode was better than the surfing teens episode, but I did peg the killer from the first time we saw him. The thing that keeps me coming back to the show is Patrick Jane’s character, and his interesting approach to investigating.
  • 30 Rock – I can’t say enough about how thrilled I am that this show is finally back. I usually can’t stop laughing in between jokes, and such was the case in the season premiere. My favorite development was Jack’s quest to work his way back to the top, from his willingness to start in the mail room, to his horror at learning that Kathy, the inept CEO, was wearing Dora the Explorer underwear “intended for an obese child.” So random and funny! Every character had a chance to shine, and I am loving Will Arnett as Devon Banks. I hope he is more than just a guest star this season.

As I said before, I have been separated from my DVR for four days, but now that we’ve been reunited, I will soon start playing tv catch up.

 

TV Week in Review: October 13-17 October 18, 2008

Like last week, this week supplied plenty of new episodic television to watch. Read on for my thoughts, posted in chronological order, about the shows I tuned in to. Scroll down for the first ever poll on Eclaire Fare, and look for more to come. (This is a new feature that WordPress just added.)

  • How I Met Your Mother – I thought last week’s episode (in which the gang went to see Stella in New Jersey) was one of the best in awhile, so this one was mediocre by comparison. The variety of interventions that Ted, Lily, Marshall, et al have staged over the years was slightly amusing, but I was left a little confused by the end of the episode about what everyone had decided to do. Maybe that was the point. Based on the “one year later” ending, it looks like Robin didn’t take the job in Japan, and Ted didn’t move to New Jersey. Barney dressing up as “old man Barney” to pick up girls was pretty funny, only because Neil Patrick Harris is so great at portraying his character’s shameless manipulation and seeming lack of a conscious. (In real life people like that make me sad, so I wonder why it is funny on this show.)
  • Heroes – After last week’s lackluster episode, I was about ready to cancel my Season Pass to this show. However, I must say that this week’s installment has compelled me to keep watching. It was, by far, the best episode of the season. We didn’t have any of that nonsense with Peter jumping around in the future, or Matt wandering around in the desert. I found both of those stories, with Matt’s visions and Peter’s experiences in the future, very distracting, and felt that they convoluted the plot too much (i.e., at what point does the future change when something else happens in the present, and then what happens to the future versions of the characters). I am intrigued by the revelation that Daphne and Nathan’s spirit guide is not Linderman, but is in fact Matt Parkman’s father. (If you don’t remember, Mr. Parkman’s ability is that he can make people experience things that aren’t really there, as well as read their minds.) And I was further intrigued by the twist that followed – that Mr. Parkman is working for Mr. Petrelli, Nathan and Peter’s supposedly deceased father. He doesn’t look like he is in very good health, judging from his inability to speak (verbally at least) and his being bedridden. But he must be of sound mind since he is rounding up an army of formidable heroes, including Daphne, Matt, Hiro, and Adam (yay!). To what end? And who will they be fighting against? Perhaps Mr. Petrelli isn’t too happy with the way things ended between him and Mrs. Petrelli, or maybe he wants to regain control of The Company. That’s what her vision of the future suggested. I could say more, but suffice to say there is suddenly plenty of rich material for the writers to develop, and even better, it’s starting to make sense! Now if we could just bypass the silly puppet man story. I’d imagine that will only serve as a time filler next week, when we could be learning more information about the more interesting characters: Mohinder going all “Dr. Frankenstein meets mutant spider man,” Hiro stabbing Ando with a sword (I’m guessing he’ll teleport back in time to right that wrong), and Sylar trying to rehabilitate.
  • My Own Worst Enemy – I’ve already devote a separate post to this new show. To read my (mostly) positive review of it, click here.
  • The Mentalist – This was only the second episode of this show that I have seen. I didn’t enjoy it as much as the pilot. Mostly my waning interest was due to the clan of teenage suspects in the murder investigation of a surfer girl who washed ashore. (Didn’t that happen on Bones just a couple of weeks ago?) I tend to roll my eyes whenever television writers decide to make honor roll, Ivy League bound teenagers into (surprise!) remorseless killers. There is usually very little explanation for why the kids turn suddenly violent and psychotic. In this case, “she was gonna tell it” doesn’t cut it for me. So, my problem was with the particular case of the week, but I was still interested in Simon Baker’s character and his powers of observation. Patrick Jane is a quirky, very likable character. It was fun to watch him hang around the beach and draw everyone’s attention with his elaborate sand castle. What appeared to some to be him avoiding work was actually his way of collecting evidence. His trick of finding his co-worker’s hidden car keys was also entertaining. Is Baker enough reason to watch the show? For now he is. I’m interested to see if the supporting characters will be developed anymore. This week we learned that Teresa (Robin Tunney) dealt with her mother’s death and her father’s alcoholism as a child, and she had to deal with her emotions when the case they were working on involved a similar situation. So far, though, the other characters are little more than one-dimensional stereotypes whose sole purpose is to give Patrick Jane someone to impress and, at times, annoy. I’ll reserve my verdict until the show has had a chance to establish itself.
  • Fringe – This episode began with a frightening scene of a falling elevator (hmmm, that happened on Bones recently, too), caused by the electromagnetically charged guy who was riding on it. Agent Dunham and team commenced figuring out who was responsible and finding him before mad scientist Dr. Fisher could do more painful experiments on him. I felt sorry for this guy. He only responded to the ad because he needed more self confidence (that was certainly true), and he ended up unconsciously controlling all the electronics around him. I loved that we heard R.E.O. Speedwagon’s “I Can’t Fight This Feeling Anymore” not once, but twice, in this episode. Great ’80s song, and very appropriate for setting the tone here. We also received some answers about why Agent Dunham keeps seeing the presumed dead John Scott. According to Walter, during their previous experimental procedure, part of John’s consciousness crossed over into her’s, and the visions are her mind’s way of making sense of the “intruder,” since there is only room for one set of thoughts in her brain. Like all the “explanations” on this show, this one is a little hokie, but I’ll take it. I must say that I like Dunham more after this episode. Her interactions with John, her discovery of the engagement ring he had planned to give her, and her working through her grief and confusion all humanized her – something that had been lacking in previous episodes, in which she seemed too mechanical and stoic. I continue to be impressed by this show’s unique mix of humor, horror, conspiracy, and suspense. I loved the scene in which Walter rubbed his wool slippers on the carpet so he could shock Peter. At first I thought he was dancing to some music in his head, so when I saw that he was revving up for a demonstration of electromagnetic charge, I was surprised and amused. I only wish we had seen more of Peter in this episode. Maybe next week.
  • The Office – This was one of those downer episodes for me, with its focus on Michael’s sad personal life. (He wants to be a father, but Jan keeps pushing him away from his involvement with her child, and meanwhile his attachment to Jan is a deterrent to him moving on with a new relationship). But it did have its moments. Let me break it down a little. Funny: Andy mistakingly pegging Phyllis’ baby picture as Angela’s, and then telling Angela she was “being mean” (thinking she was being sarcastic) when she pointed out the funny looking picture that was actually hers. Awkward: Jan showing up for the baby shower with Astrid, when Michael had assumed she would call him to attend the birth. This was classic Michael/Jan dysfunction. Not funny: The “Dwight tests the $1200 stroller” story. It was too over the top, even by this show’s standards. Maybe it just pains me to see someone destroying brand new baby gear since it wasn’t too long ago that I went through that stressful buying process. Realistic: Jim and Pam having an “off day.” Of course this couple would have some hard times while they are doing the long distance thing. It was sweet to see their voice mail conversation at the end, though, when they might as well have been chatting with each other, they were so in sync. Sweet: The big hug that Michael gave Holly after Jan left. Holly’s tears were understandable, after how mean Michael was to her so as “to not offend” Jan. Good for him, though, for ignoring Jan’s out of place request that he not date Holly, and asking her out anyway.
  • Life on Mars – I am loving this show, particularly the clothing, the music, and the whimsical tone. Maybe not whimsical like Pushing Daisies, but it definitely has a more carefree, cheerful feel than other cop shows. Instead of everything being edgy and grimy, we get a suspect running out of a swimming club in a speedo, with Sam Tyler and his colleages chasing him down while decked out in similar swim gear, while fun and funky 70s music plays in the background. My favorite song this week was Simon and Garfunkel’s “I Am a Rock,” which is both era-appropriate and thematically relevant, since Sam is trying to process everything on his own while everyone he knows is far away in another time and place. So it was nice to see him befriended by his hippie neighbor, who brought him lasagna sprinkled with her special ingredient (a little mary jane), and insisted that he dance with her. I am also surprised that I like Harvey Keitel in this show, since I have been disturbed by the very sight of him ever since I saw him in The Piano (picture him polishing a piano, completely naked – enough said). His character is a nice blend of political incorrectness, father figure in the department, and wise cracking tough guy. I’m not sure what to think of the little robot gizmo that kept showing up and giving Sam flashes of his life in 2008. That’s pretty bizarre, but I like that about this show.

The only show I haven’t watched yet this week is CSI. Well, I am also three episodes behind on Pushing Daisies. I’m not sure if I’ll ever catch up with it.

* If you answer the poll question below and choose “other,” please post which show was your favorite in the comments section so I’ll know what else I should be watching.

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TV Week in Review: October 6-10 October 12, 2008

It took me until Saturday night, but I managed to catch up on all my tv viewing before the week ended. To celebrate this accomplishment, I’ve decided to rank the shows I watched (the individual episodes, not the show overall) in order from best to worst, followed by my assessment of the episodes.

1. The Office – Best show of the week. This was another great episode of my second favorite comedy (only 30 Rock can beat it), and I was glad to welcome back the half hour time frame. Best moments: Jim recording Dwight’s personal time with a stop watch, Jim taunting Dwight with a horribly ill-informed discussion of Battlestar Galactica with Andy, Dwight looking knowingly at the camera when Jim concluded that Dwight does take personal time during office hours (as the audience and Phyllis know too well, Dwight steals company time with Angela in the supply room). I also enjoyed the staff’s confessions of ethically questionable workday activities, and Michael’s continued awkward flirtation with Holly. Could anything have been more uncomfortable than when he was trying to talk to her about chastity belts during their lobster lunch? She handles his social faux pas better than anyone else.

2. Life on Mars – I was pleasantly surprised by this new show. The music, the acting, the cultural markers, the story. All of it was very well done. I’m not sure how long this show can continue its “trapped in a time warp/trapped in my head” motif, but for now I am happy to go along for the ride. I am also unfamiliar with the British version from two years ago. A brief summary: Detective Sam Tyler is on his way to rescue his girlfriend from a serial killer when he gets hit by a car. When he wakes up, he is in the same neighborhood, but it is 35 years earlier, in 1973. His clothes, his car, and his surroundings are all 70s style. He doesn’t know if he has time traveled or if this is all in his head, but he decides to play along and solve crimes as long as he is there. It was refreshing to see this new, “old” spin on a crime show. The show runners have done an excellent job invoking the 70s through music, hair, clothing, furniture, etc. Perhaps the most telling aspect of the time difference is the treatment of women. Annie Norris, of the female police squad, is ostracized and not taken seriously by the rest of the police force, despite having a psychology degree and a keen sense of observation. I am interested to see how the show will evolve, or if it will even be given the chance to finish out its season. Based on what I’ve seen, I hope so!

3. CSI – This episode played out as a “requiem for Warrick,” as well as a hunt for his killer. I would have preferred for it to take longer than one episode for the team to discover that the undersheriff was the guilty higher up mole in the department who murdered Warrick to protect himself, but instead they solved the case and tracked him down in a tidy 45 minutes. Stretching the investigation and/or manhunt out over two or three episodes would have given Warrick’s sudden death more impact. As it is now, I feel like “what was the point” since the case was solved so quickly. Perhaps, though, it would have been too painful to watch his teammates mourn his loss and search for justice for more than one episode. Warrick was always one of my favorite characters, and I must admit I teared up (along with Nick, my other favorite) a bit as Grissom eulogized him at the funeral. In this episode we learned that Grissom was like the father that Warrick never had, and that Warrick was fighting for custody of his son, so his son could have someone to look up to the way he looked up to Grissom. It was all strangely touching for a show that’s normally about guns, guts, and guilt. I’d imagine we’ll continue to feel the ramifications of Warrick’s death in the coming weeks, but we’ll also see the team move forward without him. I wonder how Lawrence Fishburne will be introduced onto the show. Maybe Grissom will turn his back on this dark and difficult job and join Sarah in a happier, less stressful life. I’ll be watching to find out.

4. Bones – While I was still entertained, this was my least favorite Bones episode of the season so far. The lab tech of the week was not very interesting (there are already plenty of characters with an overabundance of trivial knowledge on tv, most notably Grissom on CSI). As for the case of the week, I didn’t even recognize the “prodigal son/turned suspect/turned following in his father’s he-she footsteps” until I read it somewhere else. That was David Gallagher, little Simon Camden from that “thank goodness it’s not on anymore” show, 7th Heaven. He was convincing here as the minister to misfits who became part of the investigation into his father’s death. The he/she gender reassignment angle of the episode made for an intriguing mystery as Brennan and Booth put the pieces together. All that to say, there wasn’t anything wrong with this episode – it just wasn’t as outstanding as some of this season has been. I will miss this show very much until it returns later in November. It is my Wednesday night escape!

5. How I Met Your Mother – The “New York is so much better than New Jersey” bit has been done so much on tv that I rolled my eyes when it became clear that was where this episode was going, with the gang throwing a fit about having to go to New Jersey to hang out with Ted’s fiancee Stella. However, the writers did the running joke justice in this case. Marshall’s rant about how he’s a giant man in a city full of small spaces, and how New Jersey is full of mega stores and cup holders and dog t-shirts, was pretty classic. And despite being a suburb dweller myself, I can appreciate the humor in a New Yorker’s distaste for manicured lawns and discount store membership cards. However, it was nice that the episode ended with Ted reading a story to Stella’s daughter in the comfort of her suburban home. There are different benefits for different people to living in the city vs. the suburb. The subplots of Barney begging for a fist bump and Robin quitting her job/riding a bike to get it back/quitting for real were entertaining as well. So overall, this was one of the better episodes of this show lately.

6. Heroes – I’m still not seeing much that makes me want to continue tuning in. The best part of the episode came at the very end when Hiro and Ando freed Adam (David Anders) from the coffin where he had been trapped since the end of last season. How refreshing it was to see David Anders’ beautiful face – not even tainted by his underground captivity – after an episode full of ludicrous developments. Too bad his appearance only lasted a few seconds. Sadly, these few seconds will have me returning next week to see him again.

7. Kath and Kim – It wasn’t like I was awaiting the premiere of this show with fevered anticipation or great expectations, but what an utter disappointment! One word I could use to sum it up: AWKWARD. And not in the good Office way. Molly Shannon and Selma Blair are well cast in their roles as Kath and Kim, so that’s not the problem. The problem is that there are no likable characters on this show, save for perhaps Kim’s on again, off again husband. Kath and Kim are a materialistic, celebrity gossip-obsessed, self-centered mother and daughter. What’s to love there? Kath’s boyfriend, played by mockumentary favorite John Michael Higgins, is funny at times, but mostly – here’s that word again – awkward. I don’t find humor in Kim giving up on her marriage so flippantly, over having to microwave dinner instead of eating out. I’m not expecting a comedy to be a social commentary, but with the disintegration of marriage in American society, it’s not humorous to have Kim’s broken relationship be a running gag. The scenes at the mall were a nice change of pace from a studio lot set, but mall scenes have been done better by a much better comedy: Arrested Development. I don’t think there’s enough story here to keep this mother/daughter duo afloat for very long. Perhaps this type of humor played better for an Australian audience (the current version is a remake of one from that country that lasted for four seasons). Some may find similarities between the type of humor found in Kath and Kim, and that of The Office. The difference: the audience cares about most of the characters on The Office. We want Jim and Pam to get engaged. We want Phyllis to feel good about herself. We want Michael to finally fulfill his dream of being a father. I just don’t care about Kath, Kim, and their men. I don’t plan to watch this one again.
Next week, I look forward to the return of Fringe. So far it is my favorite new show this fall.